George Ducharme. Acadian Laundry, 2019. Digital photograph.
An Interview with George Ducharme
George Ducharme & Erica Vermette
Prince of Madawaska
Peter Albert
Moccasins
Michael Bérubé
An Interview with Jim Bishop
Introduced by Steven Riel
Small Room
Jeri Theriault
In the Laurentians
John Perrault
Northern Point
John Perrault
Mon cœur s’ouvre à ta voix
John Perrault
Within One Year
Samara Cole Doyon
La Descente
Samara Cole Doyon
This Self-Born Sun and Everything Beneath Her
Samara Cole Doyon
Dinandier
Chris Monier
The Last Bathtub Virgin in America
Jean Pouliot
Octopus
Jean-Mark Sens
Old Man River
Jim Bishop
Red Roses for a Blue Lady
Jim Bishop
My Father's Teeth
Jim Bishop
I Believed Every Lie My Mother Taught Me
Cynthia Graae
Growing Up Catholic
Bill Charette
Mercedes de Guardiola, "Vermont for the Vermonters": The History of Eugenics in the Green Mountain State (Non-fiction)
Review by Patrick Lacroix
Mark Paul Richard, Catholics Across Borders: Canadian Immigrants in the North Country, Plattsburgh, New York, 1850-1950 (Non-fiction)
Review by David Vermette
Zachary Richard, Les Rafales du carême (Fiction)
Review by Paul Paré (Written in English - Cliquez ici pour lire ce compte rendu en français)
Emilie-Noelle Provost, The River is Everywhere (Fiction)
Review by Joan Vermette
Charlie Gargiulo, Legends of Little Canada: Aunt Rose, Harvey's Bookland, and My Captain Jack (Memoir)
Review by Laurie Meunier Graves
Denis Ledoux, French Boy: A 1950s Franco American Childhood (Memoir)
Review by Megan St. Marie
David R. Surette, Tonic (Poetry)
Review by Christine Jones
Jeri Theriault, Self-Portrait as Homestead (Poetry)
Review by Brad Richard
Welcome to volume 6 of Résonance. Once again, our editors invite you to explore the latest offerings they've selected.
Considering the anti-immigrant threats and false claims against Haitian Americans made during this current presidential election cycle, it feels important to me personally to highlight that this issue includes “Within One Year,” an bracingly full-bodied and full-throated poem by Samara Cole Doyon, an author with Haitian roots. (I have come to believe that we Franco-Americans can only understand the compass of our own history if we learn more about the history of those colonized and enslaved by the French.) I’m also delighted to watch how empathy fashions a bridge between people from different marginalized ethnic groups in Peter Albert’s niftily constructed short story “Prince of Madawaska.” And I’m haunted by Cynthia Graae’s description of the impact a parent’s shame about being Franco-American can have on a child—exactly the kind of shame exacerbated by the xenophobia being spewed during this election season.
More broadly, as the body of work published in our journal continues to expand, I’m amazed by how implicit conversations between pieces organically arise within and across different genres and volumes.
We are honored to include in volume 6 an interview with the extraordinary poet Jim Bishop.
We continue to be indebted to Jacob Albert for his help with our web presence.
And I must end with a shout-out to our Drama and Reviews editor Abby Paige, for once again securing just the right reviewers and curating reviews for a broad range of current publications. The responses contained here help deepen the Franco-American dialogue.
—Steven Riel, Editor-in-chief